God Save The Queen

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America has nothing to match the British monarchy and royal family.

I’ve mostly ignored the royals, and I doubt I’m getting sentimental in my old age; I’m getting cynical. Never watched a royal wedding before, but Saturday I watched the entire ceremony in the cathedral, and a bit of the endless processionals before and after.

It was a well-choreographed show, with generally excellent execution, a splendid display of nationalist symbolism that has been perfected through centuries of practice. Prince Harry, the Duke of Sussex, and Meghan Markle, now Duchess of Sussex, had the starring roles, and St. George’s Chapel was the setting.

But the royal wedding was about something far grander than one young couple. Harry is only sixth in the line of succession to the throne, after all. And where is Sussex?

The pageantry of the royal wedding generated strong and genuine emotion for millions of Queen Elizabeth’s subjects throughout the British Isles and the Commonwealth. Such symbolism and emotion, and the patriotism engendered, are of inestimable value.

The Queen and Prince Philip and the monarchy provide amazing spine-stiffening support for the British people and the British nation state.

By the end of the wedding, was there anyone in Britain who would take issue with the words “God save the Queen?”

— John

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J.K. Rowling’s “Casual Vacancy,” Book Review, Take 1

“The Casual Vacancy”  is instantly notorious because it’s J.K. Rowling’s first novel for adults. It comes with a prominent black “X” on the cover, fair warning that between these covers you’ll find a subject that’s TABOO in America.

The subject is class warfare and classism. Ms. Rowling’s story takes place in England, and you have to remember that the British and Europeans are not as squeamish about class issues as we Americans. Until recently, we’ve been in full denial.

(If you’d like to read my preview of Casual Vacancy before you start the review, see J.K. Rowling’s “The Casual Vacancy — Prices Slashed.)

Ms. Rowling takes the micro approach to class warfare, focusing on the lives, relationships, and foibles of the individual men, women and children of one small town in England. The macro alternative would be a “God’s-eye view,” examining society from a distance. Rowling understands that you need to get up close and personal to understand classism and class warfare.

In the first 100 pages of Casual Vacancy, Rowling introduces an average of one new character every two pages.

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